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The Renaissance architecture coexisted with the Gothic style in Bohemia and Moravia until the late 16th century (e. g. the residential part of a palace was built in the modern Renaissance style but its chapel was designed with Gothic elements). The façades of Czech Renaissance buildings were often decorated with sgraffito (figural or ornamental).
Andrea Palladio (/ p ə ˈ l ɑː d i oʊ / pə-LAH-dee-oh, Italian: [anˈdrɛːa palˈlaːdjo]; Venetian: Andrea Paładio; 30 November 1508 – 19 August 1580) was an Italian Renaissance architect active in the Venetian Republic.
This list is incomplete ; you can help by adding missing items. (August 2008) The following is a list of notable Renaissance structures. Belgium Antwerp City Hall Czech Republic Château of Litomyšl Villa Belvedere in Prague Denmark Kronborg Castle Rosenborg Castle Børsen England Hampton Court Palace, from 1514 onwards Hengrave Hall, Suffolk Sutton Place, Surrey Elizabethan prodigy houses ...
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, [1] and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades ...
Despite some buildings in a partly Renaissance style from the reign of Henry VIII (1491–1547), notably Hampton Court Palace (begun in 1515), the vanished Nonsuch Palace, Sutton Place and Layer Marney Tower, and the building of Soulton Hall under Queen Mary I, it was not until dawning of Elizabethan architecture that a true Renaissance style ...
Compared to the Renaissance architecture of other Italian cities, in Venice there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic architecture, remained far more heavily used than ...
The scenes of the era were both divine and mundane, from Hans Memling’s luminous nativity scene, circa 1480, to Bruegel’s depiction of an angry wife hauling home her intoxicated husband, circa ...
Alemannisch; العربية; Aragonés; Azərbaycanca; Башҡортса; Беларуская; Беларуская (тарашкевіца) Български