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"The Library of Babel" (Spanish: La biblioteca de Babel) is a short story by Argentine author and librarian Jorge Luis Borges (1899–1986), conceiving of a universe in the form of a vast library containing all possible 410-page books of a certain format and character set.
"The Library of Babel" was originally written by Borges in 1941, [3] based on an earlier essay he had published in 1939 while working as a librarian. [4] It concerns a fictional library containing every possible book of a certain fixed length, over a 25-symbol alphabet (which, including spacing and punctuation, is sufficient for the Spanish language). [5]
Borges in "The Library of Babel" states that "The Library is a sphere whose exact center is any hexagon and whose circumference is unattainable". The library can then be visualized as being a 3-manifold, and if the only restriction is that of being locally euclidean, it can equally well be visualized as a topologically non-trivial manifold such as a torus or a Klein bottle.
The Library of Babel website attracted the attention of scholars, particularly those working at the juncture of humanities and digital media. [10] [11] [12] Zac Zimmer wrote in Do Borges's librarians have bodies: "Basile's is perhaps the most absolutely dehumanizing of all Library visualizations, in that beyond being driven to suicidal madness or philosophical resignation, his Librarians have ...
Labyrinths (1962, 1964, 1970, 1983) is a collection of short stories and essays by Argentine writer and poet Jorge Luis Borges.It was translated into English, published soon after Borges won the International Publishers' Prize with Samuel Beckett.
In "The Library of Babel", Borges contemplates the opposite effect: impoverishment of a text through the means of its reproduction. In a pattern analogous to the infinite monkey theorem, all texts are reproduced in a vast library only because complete randomness eventually reproduces all possible combinations of letters.
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Library Journal echoed the sentiment, writing about how Kuang "prompts readers to question the ethics of both empire and academia". [12] There were also qualified or negative reviews. Paste noted that Babel is "a meticulously researched period piece, a primal scream from the traditionally unheard". [13]