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The song was written by Samuel, Lorenzo Urciullo and Federico Nardelli. Since the beginning, it was conceived as a duet. Samuel and Michielin met for the first time during an episode of Italian talent show X Factor in 2019, when Samuel was a judge and Michielin appeared as a musical guest.
Chapters 2–7 are in Aramaic, and are in the clear form of a chiasm (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side): [11] A. (2:4b-49) – A dream of four kingdoms replaced by a fifth B. (3:1–30) – Daniel's three friends in the fiery furnace
Earlier manuscripts of Books 1 to 2 and Book 3 survive that include substantively different versions of those portions of the poem. A fifth book was added between 1595 and 1599 and is included in The Civil Wars in The Poetical Essays of Samuel Daniel (1599). A sixth book was added to the poem in The Works of Samuel Daniel, Newly Augmented (1601 ...
Daniel's detective work reveals that a brass idol believed to miraculously consume sacrifices is in fact a front for a corrupt priesthood which is stealing the offerings. [ 3 ] The Book of Daniel is preserved in the 12-chapter Masoretic Text and in two longer Greek versions: the original Septuagint version, c. 100 BCE , and the later Theodotion ...
The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", [1] the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. [2]
Daniel in the Lions' Den Year c. 1614-1616 Medium oil paint, canvas Dimensions 224.2 cm (88.3 in) × 330.5 cm (130.1 in) Location National Gallery of Art Identifiers RKDimages ID: 28802 [edit on Wikidata] Daniel in the Lions' Den is a painting from around 1615 by the Flemish artist Peter Paul Rubens that is displayed in the National Gallery of Art in Washington, D.C. The painting depicts ...
The Book of Daniel is "a composite text of dubious historicity from various genres", [4] and Daniel himself is a legendary figure. [5] The book of which he is the hero divides into two parts, a set of tales in chapters 1–6 from no earlier than the Hellenistic period (323–30 BCE), and the series of visions in chapters 7–12 from the ...
The seventy weeks prophecy is internally dated to "the first year of Darius son of Ahasuerus, by birth a Mede" (Daniel 9:1), [34] later referred to in the Book of Daniel as "Darius the Mede" (e.g. Daniel 11:1); [35] however, no such ruler is known to history and the widespread consensus among critical scholars is that he is a literary fiction. [36]