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Josephine Augusta Trott (December 24, 1874 - March 2, 1950) was an American author, composer, and music educator who sometimes wrote under the pseudonym Colin Shepherd. [1] Her violin pedagogy books are still in use today. [2] Trott was born in Wilmington, Illinois, to Dr. Stenson E. and Augusta J. Trott. [3]
"Knee Play 2", violin solo from Einstein On The Beach; Partita for solo violin (2010/11) -dedicated to Tim Fain- (I. Opening; II. Dance 1; III. Chaconne, Part 1; IV, Morning Song; V. Chaconne, Part 2; VI. Dance 2; VII. Evening Song) Benjamin Godard. Sonata No. 1 for violin solo in B minor, Op. 20; Sonata No. 2 for violin solo in A minor, Op. Posth.
[2] [3] He was the grandson of minor Scottish poet and songwriter, Adam Crawford. [4] Honeyman returned to Britain with his mother and three siblings in 1849. [5] He was a violinist and orchestra leader who, under his real name, published violin instructional books such as How to Play the Violin and The Secrets of Violin Playing. His daughter ...
Eta Cohen (1916 – 20 November 2012) was a professional English author, teacher and violinist.. Cohen was born in Sunderland, to Jewish immigrants from Lithuania.She left school at age 16 and began to teach music in local private schools in Sunderland and Newcastle.
Demetrius Constantine Dounis (also Demetrios), also known as D. C. Dounis (Greek: Δημήτριος Κωνσταντίνος Δούνης; 21 December 1893 [1] – August 13, 1954), was an influential teacher of violin and string instrument technique, as well as violinist, violist, and mandolin player.
Abram Ilich Yampolsky (Russian: Абрам Ильич Ямпольский; 1890–1956) was a Soviet violin teacher who nurtured many Soviet virtuosos during his tenure at the Moscow Conservatory. He graduated in Saint Petersburg in 1913 in the class of Sergej Korguyev, a pupil and assistant of Leopold Auer , and was to be one of the founders ...
Zigeunerweisen is in one movement but can be divided into four sections, the first three in the key of C minor and the last in A minor, based on the tempi: . Moderato – An imposing, virtuosic introduction with slow majestic energy by the orchestra, then a little softer by the violin itself.