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"Selah" is a song by American rapper Kanye West from his ninth studio album, Jesus Is King (2019). The song contains additional vocals from Ant Clemons, BongoByTheWay, and the Sunday Service Choir. West co-wrote it with 11 others, while Jeffrey LaValley received songwriting credit due to the song sampling a rendition of the New Jerusalem Choir ...
"Personal Jesus" is a song by the English electronic music band Depeche Mode. It was released as the lead single from their seventh studio album, Violator (1990), in 1989. It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100 .
"Jesus Walks" is a song by American rapper Kanye West. It was released on May 25, 2004, as the fourth single from his debut album The College Dropout (2004). The song contains a sample of "Walk with Me" as performed by the ARC Choir.
"Hold My Mule" is a 1988 urban contemporary gospel song by Shirley Caesar. Telling the story of an old man named Shoutin' John who boisterously praises God for his numerous blessings to the dismay of more conservative, "spiritually dead" clergy, the song earned newfound popularity in 2016 after DJ Suede the Remix God remixed the song into the Thanksgiving anthem "You Name It!"
"Jesus Is Just Alright" is a gospel song written by American singer Art Reynolds and first recorded by Reynolds' group, The Art Reynolds Singers, for their 1966 album, Tellin' It Like It Is. [1] [2] The song's title makes use of the American slang term "just alright", which during the 1960s was used to describe something that was considered ...
The song was number 14 on a list of the 50 greatest conservative rock songs by the National Review in June 2006. The list's author John J. Miller explained, "The words are vague, but they’re also about the fall of Communism and the end of the Cold War." [9]
"How Sweet the Name of Jesus Sounds" is a hymn by the evangelical Anglican cleric John Newton. It was published in Olney Hymns in 1779. [1] Of a metaphorical nature, it focuses on the power of the name of Jesus. [2] It is often sung to the tune of Saint Peter by Alexander Reinagle and less frequently to Ortonville by Thomas Hastings. [3]
Jesus Was a Capricorn was produced by Fred Foster and, like his previous album Border Lord, features more elaborate instrumentation than his first two LPs.Biographer Stephen Miller notes in his book Kristofferson: The Wild American, “A common criticism directed at Jesus Was a Capricorn was that it was overproduced and moved Kristofferson's songs too far away from the rough-hewn charm of his ...