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Egyptian tapestry roundel with Orpheus and Apollo, 5th–6th century CE. In Greek mythology, the legend of Orpheus and Eurydice (Greek: Ὀρφεύς, Εὐρυδίκη, romanized: Orpheus, Eurydikē) concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice.
Eurydice's father reads to her from King Lear in a Shimer College production of Eurydice. The play consists of three movements, divided into numerous scenes: 7 in the first movement, 20 in the second movement, and 3 in the third movement. The play begins with Eurydice and Orpheus, two young lovers, who are about to get married.
The story of Orpheus and Eurydice has been depicted in a number of works by artists, including Titian, Peter Paul Rubens, Nicolas Poussin, and Corot. [13] More recently, the story has been depicted by Bracha Ettinger , whose series, Eurydice , was exhibited in the Pompidou Centre ( Face à l'Histoire , 1996); the Stedelijk Museum , Amsterdam ...
Orpheus, the son of Apollo and a renowned musician, fell in love with Eurydice, who was bitten by a snake and died. On the gods' advice, Orpheus traveled to the Underworld wherein his music softened the hearts of Hades and Persephone, who agreed to allow Eurydice to return with him to the living world on one condition: he should guide her out ...
Sarah Ruhl's Eurydice likewise presents the story of Orpheus's descent to the underworld from Eurydice's perspective. Ruhl removes Orpheus from the center of the story by pairing their romantic love with the paternal love of Eurydice's dead father. [93] David Almond's 2014 novel A Song for Ella Grey was inspired by the myth of Orpheus and ...
The story of the opera follows the Greek legend of Orpheus, who descends to Hades to persuade the gods of the Underworld to allow him to bring his dead bride, Eurydice, back to the living world. His plea is granted, on the condition that he does not look back while leading Eurydice out of Hades.
The grieving Orpheus sets off to rescue Eurydice from the underworld. Eurydice's ghost drives Aristaeus mad and he commits suicide. The goddess Juno persuades Proserpine, the wife of Pluto (the king of the underworld), that she should be jealous of Eurydice's beauty and allow her to return to the land of the living with Orpheus.
Orfeo ed Euridice ([orˈfɛ.o e.d‿ewˈri.di.t͡ʃe]; French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi.