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In Greek mythology, Koalemos (Ancient Greek: Κοάλεμος) was the personification of stupidity, mentioned once by Aristophanes, [1] and being found also in Parallel Lives by Plutarch. [2] Coalemus is the Latin spelling of the name. Otherwise, the word κοάλεμος was used in the sense of "stupid person" or also "blockhead". [3]
'Love, Desire') is the Greek god of love and sex. His Roman counterpart is Cupid ('desire'). [4] In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods.
In Greek mythology, Himeros (Ancient Greek: Ἱμερος, lit. 'desire') is one of the seven Erotes, a group of winged love deities, and part of Aphrodite's procession. Often described as "sweet", he is the god and personification of desire and lust.
The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos The Void
God of mortality and father of Prometheus, Epimetheus, Menoetius, and Atlas. Mnemosyne: Mνημοσύνη (Mnēmosýnē) Goddess of memory and remembrance, and mother of the Nine Muses. Oceanus: Ὠκεανός (Ōceanós) God of the all-encircling river Oceans around the Earth, the fount of all the Earth's fresh-water. Phoebe: Φοίβη ...
The ancient Greeks came up with seven different words for the types of love. Experts break down what they mean and how to foster the types of love in your life. Yup, There Are A Total Of *Seven ...
In Greek mythology, Anteros (/ ˈ æ n t ə r ɒ s /; [1] Ancient Greek: Ἀντέρως, romanized: Antérōs) is the god of requited love (literally "love returned" or "counter-love") and also the punisher of those who scorn love and the advances of others, or the avenger of unrequited love. [2] He is one of the Erotes.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.