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[2] Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. [3] The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production.
The vocals and performances were recorded live. “It’s not just going and doing a gig where you go and stand on stage and sing the song. You sing it 20 times,” Warhurst explains.
Live sound mixing is the process of electrically blending together multiple sound sources at a live event using a mixing console. Sounds used include those from instruments, voices, and pre-recorded material. Individual sources may be equalised and routed to effect processors to ultimately be amplified and reproduced via loudspeakers. [3]
Overdubbing (also known as layering) [1] is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. [2]
A scratch vocal is a vocal performance that a singer records to provide a reference track that music producers and audio engineers can use as they craft other pieces of the recorded song. Most of the time, the singer of a scratch vocal ultimately re-records the vocal performance after production is complete.
In a piano–vocal score, the vocal parts are written out in full, but the accompaniment is reduced and adapted for keyboard (usually piano). [1] The music is usually reduced to two staves; however, more staves, a second keyboardist (piano four hands), or a second keyboard part can be added, as needed. There are two main types of piano–vocal ...
These journals were published in 1952 as A la recherche d'une musique concrète, and according to Brian Kane, author of Sound Unseen: Acousmatic Sound in Theory and Practice, Schaeffer was driven by: "a compositional desire to construct music from concrete objects – no matter how unsatisfactory the initial results – and a theoretical desire ...
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