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Bi-amping - An active crossover with two amplifiers.. Bi-amping and tri-amping is the practice of using two or three audio amplifiers respectively to amplify different audio frequency ranges, with the amplified signals being routed to different speaker drivers, such as woofers, subwoofers and tweeters.
Satisfactory output of the complete system comprising the audio crossover and the loudspeaker drivers in their enclosure(s) is the design goal. Such a goal is often achieved using non-ideal, asymmetric crossover filter characteristics. [5] Many different crossover types are used in audio, but they generally belong to one of the following classes.
The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]
With the release of CrossOver Mac 7 on June 17, 2008, CrossOver Mac was divided into Standard and Pro editions like CrossOver Linux. The Standard version included six months of support and upgrades, while the Pro version included one year of support and upgrades, along with a bundled copy of CrossOver Games.
A loudspeaker (commonly referred to as a speaker or, more fully, a speaker system) is a combination of one or more speaker drivers, an enclosure, and electrical connections (possibly including a crossover network). The speaker driver is an electroacoustic transducer [1]: 597 that converts an electrical audio signal into a corresponding sound. [2]
GPL-2.0-or-later LGPL-2.1-or-later: aRts: Yes an audio programming API and sound server for general desktop, no longer in development GPL: DSSI: Yes a plugin architecture for software synthesizers: LGPL-2.1-or-later: GStreamer: Yes Yes Yes Yes a graph-based multimedia framework LGPL-2.1-or-later: JACK Audio Connection Kit (JACK) JACK Team, Paul ...
Sound Blaster Live! supported multi-speaker output, initially up to a four-speaker setup. The software referred to this as a "4.1" setup, meaning 4 satellites and a subwoofer. While this is the case, the subwoofer is not on a separate output as it is with 5.1 and higher audio.
The resulting Linkwitz–Riley filter has −6 dB gain at the cut-off frequency. This means that, upon summing the low-pass and high-pass outputs, the gain at the crossover frequency will be 0 dB, so the crossover behaves like an all-pass filter, having a flat amplitude response with a smoothly changing phase response.