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The palaces in Venice are the following: Royal Palace (Venice) Ca' da Mosto; Ca' d'Oro; Ca' Farsetti; Ca' Loredan; Ca' Pesaro; Ca' Rezzonico; Ca' Vendramin Calergi; Ca' Zenobio degli Armeni; Palazzo Adoldo; Palazzo Ariani; Palazzo Barbarigo; Palazzo Barbarigo Nani Mocenigo; Palazzi Barbaro; Palazzo Barbaro Wolkoff; Palazzo Bernardo Nani ...
The Royal Palace of Venice (Italian: Palazzo Reale di Venezia) is a complex of buildings located in the central St. Mark's Square of Venice, Italy, which served as the residence for Napoleonic viceroys, the kings of Lombardy-Venetia, Austrian viceroys, and finally, the monarchs of unified Italy.
The first of the two palaces is in the Venetian Gothic style and was built in 1425 by Giovanni Bon, one of Venice's master stonemasons. [3] It belonged to Piero Spiera in the early 15th century, passing through several hands before being acquired by Zaccaria Barbaro, Procurator of St Mark's [4] in 1465. [5]
The Palazzo Barbarigo Minotto (also called Palazzo Minotto Barbarigo) is a 15th-century palace on the Grand Canal in Venice, northern Italy, next to the much larger Palazzo Corner. [1] Built in the Venetian Gothic style, it was originally two palaces, Palazzo Barbarigo and Palazzo Minotto, later joined together.
Details. Photo by Paolo Monti, 1969. The façade of Palazzo Pisani Moretta is an example of Venetian Gothic floral style with its two floors of six-light mullioned windows with ogival arches, similar to those found in the loggia of the Doge's Palace flanked by two single windows.
Royal Palace of Venice; V. Palazzo Venier dei Leoni This page was last edited on 3 March 2021, at 00:21 (UTC). Text is available under the Creative Commons ...
Palazzo Labia is a baroque palace in Venice, Italy. Built in the 17th–18th century, it is one of the last great palazzi of Venice. Little known outside of Italy, it is most notable for the remarkable frescoed ballroom painted 1746–47 by Giovanni Battista Tiepolo, with decorative works in trompe-l'œil by Gerolamo Mengozzi-Colonna.
The palace remained a private residence in the 19th century, but took paying guests. John Ruskin and his wife Effie lived at the Palazzo Gritti while he wrote The Stones of Venice. [1] In 1895, it became a hotel, connected to an adjoining hotel. In 1947, it was bought by the Compagnia Italiana Grandi Alberghi and renamed the Gritti Palace Hotel.