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Of all the findings unearthed at Akrotiri, these frescoes constitute the most significant contribution to present-day knowledge of Aegean art and culture. In their technique, style, and thematic content, the paintings are invaluable objects of study for archaeologists, art historians, zoologists, botanists, and chemists.
Robert Therrien, No title (table and four chairs), 2003, on display at The Metropolitan Arts Centre, Belfast in 2012 Robert Therrien (November 17, 1947 – June 17, 2019) was an American artist known for his large-scale sculptures.
In Timeline of Art History. New York: The Metropolitan Museum of Art, October 2003. Retrieved 25 March 2007. Lommel, Andreas Masks, Their Meaning and Function, Ferndale Editions, London, orig. Atlantis Verlag Zurich 1970 — introduction, after Himmelheber Afrikanische Masken ISBN 0-905746-11-2; Martens-Czarnecka, Malgorzata (2008).
The mask, displayed in the National Archaeological Museum of Athens, has been described by the historian Cathy Gere as the "Mona Lisa of prehistory". [ 1 ] German archaeologist Heinrich Schliemann , who discovered the artifact in 1876, believed that he had found the body of the Mycenaean king Agamemnon , leader of the Achaeans in the ancient ...
ART IN CONTEXT: How is the Chi Wara Used? Archived 2016-03-03 at the Wayback Machine. African Art Museum of the SMA Fathers at Tenafly, New Jersey: The Legend of Chi Wara. www.masksoftheworld.com: Chi Wara mask images. Library of the University of Virginia: Africa Masks exhibit. Includes images and description of one male and one female mask.
Therian may refer to: In taxonomy, a member of the mammalian subclass Theria , consisting of marsupial and placental mammals Therianthropy (disambiguation) , the mythological ability or affliction of individuals to metamorphose into animals or hybrids by means of shapeshifting
In 1832, Jonathan the Seychelles giant tortoise (Aldabrachelys gigantea hololissa) was born. Although his exact birthdate is unknown, he has been given the official birthday of December 4, 1832.
Iroquois oral history tells the beginning of the False Face tradition. According to the accounts, the Creator Shöñgwaia'dihsum ('our creator' in Onondaga), blessed with healing powers in response to his love of living things, encountered a stranger, referred to in Onondaga as Ethiso:da' ('our grandfather') or Hado'ih (IPA:), and challenged him in a competition to see who could move a mountain.