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The painting is a representative example of the Ashcan School, a movement in early-20th-century American art that favored the realistic depiction of gritty urban subjects. In Cliff Dwellers, people spill out of tenement buildings onto the streets, stoops, and fire escapes. Laundry flaps overhead and a street vendor hawks his goods from his ...
While the movement's characteristics vary from nation to nation, it almost always uses a form of descriptive or critical realism. [1] The term is sometimes more narrowly used for an art movement that flourished in the interwar period as a reaction to the hardships and problems suffered by common people after the Great Crash. In order to make ...
Poetry groups and movements or schools may be self-identified by the poets that form them or defined by critics who see unifying characteristics of a body of work by more than one poet. To be a 'school' a group of poets must share a common style or a common ethos.
American realism was a movement in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary people. The movement began in literature in the mid-19th century, and became an important tendency in visual art in the early 20th century.
Like many art-historical terms, "Ashcan art" has sometimes been applied to so many different artists that its meaning has become diluted. The artists of the Ashcan School rebelled against both American Impressionism and academic realism, the two most respected and commercially successful styles in the US at the end of the 19th century and the ...
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
Movements such as Cubism were denounced as bourgeois and criticized for its failure to draw on the heritage of art and for rejecting the beautiful on the grounds that it was "old", [3] whereas proletarian culture had to draw on what was learned in the prior times. The artists countered such thinking, however, by saying that the advanced art ...
How the Other Half Lives: Studies among the Tenements of New York (1890) is an early publication of photojournalism by Jacob Riis, documenting squalid living conditions in New York City slums in the 1880s. The photographs served as a basis for future "muckraking" journalism by exposing the slums to New York City's upper and middle classes. They ...