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Informalism or Art Informel (French pronunciation: [aʁ ɛ̃fɔʁmɛl]) is a pictorial movement from the 1943–1950s, [1] that includes all the abstract and gestural tendencies that developed in France and the rest of Europe during the World War II, similar to American abstract expressionism started 1946.
Arte Informale is a term coined in 1950 by the French critic Michel Tapié to refer to the art movement that began during the mid-1940s in post-World War II Europe. This movement also paralleled the Abstract Expressionism movement that was taking place at the same time in the United States, and had ties to the Arte Povera movement. [1]
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
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Like many art-historical terms, "Ashcan art" has sometimes been applied to so many different artists that its meaning has become diluted. The artists of the Ashcan School rebelled against both American Impressionism and academic realism, the two most respected and commercially successful styles in the US at the end of the 19th century and the ...
The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward ...
While the movement's characteristics vary from nation to nation, it almost always uses a form of descriptive or critical realism. [1] The term is sometimes more narrowly used for an art movement that flourished in the interwar period as a reaction to the hardships and problems suffered by common people after the Great Crash. In order to make ...
Under the influence of foreign artistic movements such a realism, Belgian artists in the second half of the 19th century were able to break away from the old traditions and create a new format for their genre paintings. An example is Henri de Braekeleer who used light and colour to infuse his intimist genre scenes with a modernist spirit. [10]