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In 1730, Johann Gabriel Doppelmayr wrote of Denner: At the beginning of the current century, he invented a new kind of pipe-work, the so-called clarinet... and at length presented an improved chalumeau. [5] On the basis of this passage, Denner has been credited by many with the improvement of the chalumeau and the invention of the clarinet ...
Charles Swinnerton Heap: Clarinet Sonata (1879) [2] Theodore Gouvy: Clarinet Sonata, Op. 76 (1882) Ebenezer Prout: Clarinet Sonata, Op. 26 (1882) [3] Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin; Samuel Coleridge-Taylor: Clarinet Sonata (c1893) [4] Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms:
Later developments in the key work allowed better intonation throughout the range of the clarinet, and the chalumeau register on the clarinet eventually rendered the chalumeau itself superfluous. [3] The limited range and modest strength of sound compared with the clarinet made the chalumeau increasingly impractical. [ 3 ]
Stadler was born in 1753 in a small town near Vienna; in 1756 his family moved into the city where his brother Johann was born. [1] Even though both became famous as clarinet and basset horn players, the Journal des Luxus und der Moden described Anton in 1801 as 'a great artist on many wind instruments', [2] and in a letter to Ignatz von Beecke, applying for a position in the Wallerstein ...
Sonata No.2 in B♭ major; Sonata No.3 in D minor; 6 Violin Sonatas (WeiV Xa:8-13) String Trios: 6 Sonatas for 2 Violins and Cello, Op.12 1. Sonata in B♭ major; 2. Sonata in F minor; 3. Sonata in A major; 4. Sonata in E major; 5. Sonata in G major; 6. Sonata in E♭ major; 6 Sonatas for 2 Violins and Cello Op.17 (c.1780) Clarinet Sonatas ...
Sony-Edition 3. Issued 1988 and reprinted 1998, both prints in limited distributions. PNINA SALZMAN Vol. 2, BRAHMS: Trio for Piano, Clarinet and Cello in A minor Op. 114, Sonata for Clarinet and Piano in F minor Op. 120 No. 1, Sonata for Clarinet and Piano in E♭ major Op. 120 No. 2.
Gervase Alan de Peyer was born in London, the eldest of three children of Everard Esmé Vivian de Peyer, and his wife, Edith Mary (née Bartlett). [2]He attended Bedales School, [3] and was awarded a scholarship to the Royal College of Music, where he studied clarinet with Frederick Thurston and piano with Arthur Alexander.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]