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James Wood in The New Yorker rated Train Dreams "a severely lovely tale" and Eileen Battersby of The Irish Times declares that "Johnson's novella, Train Dreams, a daring lament to the American West, is a masterpiece which should have won him the Pulitzer Prize but was short-listed in a year that the jury decided not to award it." [19] [20]
Martin is a young hobo with a fondness for trains. One night, as he is considering whether to abandon crime, a large unmarked black train pulls up beside him. The train conductor offers Martin anything he wants, in return for which he will "ride that Hell-Bound Train" when he dies. Martin requests the power to stop time, which he plans to use ...
This chapter consists of three interweaving narrations. Eiji finds a job at the lost property office of a subway station. His boss, Mr. Aoyama, is worried that a restructuring could cost him a job; he becomes paranoid, accuses Eiji of conspiring against him, kidnaps a railway manager and finally kills himself.
At times, “Train Dreams” feels almost quilt-like in the way its pieces fit together, with certain sounds and images flickering briefly, almost subliminally, across our consciousness, often to ...
In the eroge Wagamama High Spec, a play based on the book is written and performed by characters of the game. In Over the Garden Wall, two brothers narrowly avoid being hit by a train only to fall into a river where they nearly drown, in allusion to the film's themes of both death by drowning and a train to the afterlife. There is also a bell ...
J. D. Robb's book, Strangers in Death (2008) references both Highsmith's novel and Hitchcock's film as a homicide detective attempts to solve two seemingly unrelated murders. A 2009 episode of the ABC series Castle titled "Double Down" loosely follows the plot of the novel, which is mentioned in the episode. Two men who meet on a ferry agree to ...
Bullet Train received "Rave" reviews according to the book review aggregator Book Marks based on seven independent reviews. [6] It received a starred review from Publishers Weekly [7] as well as Booklist, where Christine Tran described it as "a twisty, darkly hilarious game of musical chairs that draws out the train's hidden army of assassins and a strong dose of Machiavellian justice."
Upon its publication, Tell Me How Long the Train's Been Gone received largely negative reviews. White male critics, such as Mario Puzo, tended to suggest that Baldwin's politics had compromised its literary merits. Puzo's review for The New York Times, called the book "simpleminded" and argued that a "propaganda novel" cannot be called art. [3]