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As Neal Zaslaw has pointed out, writers on Mozart have often suggested – or even asserted – that Mozart never heard his 40th Symphony performed. Some commentators go further, suggesting that Mozart wrote the symphony (and its companions, Nos. 39 and 41) without even intending it to be performed, but rather for posterity, as (to use Alfred Einstein's words) an "appeal to eternity".
Symphony No. 1: Score and critical report (in German) in the Neue Mozart-Ausgabe; Symphony No. 2 is considered spurious: Symphony No. 3 is considered spurious: 19 19 Symphony No. 4: D major: 10:40 1765 London Symphony No. 4: Score and critical report (in German) in the Neue Mozart-Ausgabe; Anh. 223 19a Symphony, K. 19a: F major: 1765 London
Symphony No. 40 in G Minor, K. 550, I: Allegro molto / Wolfgang Amadeus Mozart; Rhapsody in Blue / George Gershwin; Karelia Suite, Op. 11, I: Intermezzo / Jean Sibelius; Symphony No. 5 in C Minor, Op. 67, I: Allegro con brio / Ludwig van Beethoven; Toccata and Fugue in D minor, BWV 565, Toccata / J.S. Bach
Symphony No. 40 (Michael Haydn), F major symphony, MH 507, Perger 32, by Michael Haydn, composed in 1789 Symphony No. 40 (Mozart) , G minor symphony by Wolfgang Amadeus Mozart, composed in 1788 Topics referred to by the same term
The indication "K." or "KV" refers to Köchel Verzeichnis (Köchel catalogue), i.e. the (more or less) chronological catalogue of Mozart's works by Ludwig von Köchel.This catalogue has been amended several times, leading to ambiguity over some KV numbers (see e.g. Symphony No. 24 and Symphony No. 25, numbered K. 173dA and 173dB in the 6th edition).
Symphony No. 40 in G Minor, K550, 1st Movement – Wolfgang Amadeus Mozart; 24 Caprices Opus No.1; Sabre Dance; Serenade No. 13 in G Major, Eine Kleine Nachtmusik, K525, 1st Movement – Wolfgang Amadeus Mozart; Peer Gynt Suite No. 1, Morning Mood – Edvard Grieg; Water Music Suite No. 2 in D Major, Alla Hornpipe – George Frideric Handel; J ...
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Even after his death, Mozart's influence was apparent in the works of Beethoven. For example, Beethoven copied a passage from Mozart's 40th Symphony into the sketchbook he was using when he composed his Fifth Symphony, the third movement of which opens with a theme similar to one from the Mozart.