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2. Boss DS-1 - Wikipedia

   en.wikipedia.org/wiki/Boss_DS-1

   The Boss DS-1 is a distortion pedal for guitar, manufactured by the Roland Corporation under the brand name Boss since 1978. The first distortion effects unit made by Boss, [1] it has become a classic effect, used by many notable guitar players. [2] Boss released a successor, the DS-2. [3]

3. DOD Electronics - Wikipedia

   en.wikipedia.org/wiki/DOD_Electronics

   DOD Electronics, or simply DOD, also known as their brand name DigiTech, is an American manufacturing company that makes guitar effects pedals, as well as active crossover gear. DOD is owned by Cortek, the parent company of Cort Guitars. Their DigiTech Whammy pedal has been called "one of the most significant innovations in pedal tech". [1]

4. Maxon Effects - Wikipedia

   en.wikipedia.org/wiki/Maxon_Effects

   First building guitar pickups for the Greco-brand electric guitars produced by Kanda Shokai, Nisshin Onpa in 1969 also became an effects pedal manufacturer. They created a fuzz-wah pedal that was very popular, and marketed under multiple trade names including Ibanez. During the 1970s, Ibanez became one of the company's main OEM customers.

5. Effects unit - Wikipedia

   en.wikipedia.org/wiki/Effects_unit

   Multi-effects units typically have a range of distortion, chorus, flanger, phaser, delay, looper and reverb effects. Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs.

6. BJFE - Wikipedia

   en.wikipedia.org/wiki/BJFE

   BJFE Guitar Effects is a company which manufactures effects pedals for use with instruments such as an electric guitar. These pedals are commonly used by guitarists to modify the sound of their guitar before it reaches the amp. The company is located in Sweden, and was founded in 2000 by Björn Juhl.

7. Boss Corporation - Wikipedia

   en.wikipedia.org/wiki/Boss_Corporation

   The pedal was housed in a large enclosure, typical for effects at the time, and featured two footswitches for on/off and to toggle between the unit's vibrato and chorus effects. The pedal worked in mono and stereo, and its "thick, spatial, and multidimensional" quality inspired numerous other companies to copy the pedal. [ 12 ]