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The oldest confirmed surviving violin, dated inside, is the "Charles IX" by Andrea Amati, made in Cremona in 1564, but the label is very doubtful. The Metropolitan Museum of Art has an Amati violin that may be even older, possibly dating to 1558 but just like the Charles IX the date is unconfirmed. [22]
Amati instruments include some of the oldest extant examples of the violin family, dating to as far back as the mid-16th century. For reasons of conservation [ citation needed ] , they are only occasionally played in public.
This violin, now at the Metropolitan Museum of Art, may have been part of a set made for the marriage of Philip II of Spain to Elisabeth of Valois in 1559, which would make it one of the earliest known violins in existence. Andrea Amati (ca. 1505 - 1577, Cremona) was a luthier, from Cremona, Italy.
A Stradivarius bow, The King Charles IV Violin Bow attributed to the Stradivari Workshop, is currently in the collection of the National Music Museum Object number: 04882, at the University of South Dakota in Vermillion, South Dakota. The Rawlins Gallery violin bow, NMM 4882, is attributed to the workshop of Antonio Stradivari, Cremona, c. 1700 ...
The violin proved very popular, both among street musicians and the nobility; the French king Charles IX ordered Andrea Amati to construct 24 violins for him in 1560. [19] One of these "noble" instruments, the Charles IX, is the oldest surviving violin.
Antonio Stradivari, by Edgar Bundy, 1893: a romanticized image of a craftsman-hero. A Stradivarius is one of the string instruments, such as violins, violas, cellos, and guitars, crafted by members of the Stradivari family, particularly Antonio Stradivari (Latin: Antonius Stradivarius), in Cremona, Italy, during the late 17th and early 18th centuries.
The "treasure box" at the Violin Museum in Cremona. Techniques developed by luthiers in Cremona for making stringed instruments hold unique importance in the world of music. Cremonese luthiers standardized the violin family of instruments, and Cremonese violinmaking techniques are still considered by many to be the best in the world.
Subsequently, another Paris violin dealer, Albert Caressa, noted that in the year 1914 this violin was the property of a Monsieur Charles Lebrun. Mr. Lebrun was a former attorney of considerable wealth who, according to the sales ledgers, had also owned other rare violins by Antonio Stradivari , Giuseppe Guarneri del Gesu, and Vincenzo Rugeri .