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The Landkreuzer P. 1000 "Ratte" (English: Land Cruiser P. 1000 "Rat") was a design for a 1000-ton tank to be used by Germany during World War II which may have been proposed by Krupp director Edward Grote in June 1942, who had already named it "Landkreuzer" ("Land cruiser").
Hobart's Funnies is the nickname given to a number of specialist armoured fighting vehicles derived from tanks operated during the Second World War by units of the 79th Armoured Division of the British Army or by specialists from the Royal Engineers.
Entwicklung Series Entwicklung series, a comprehensive redesign of German armor from small tracked vehicles to a 100-ton super-heavy tank. Only a single E-100 chassis was completed; Leichttraktor, pre-war light tank, four built; Neubaufahrzeug, pre-war heavy tank design, five built; Panther II, development of the Panzerkampfwagen V "Panther". A ...
The M22 Locust, officially Light Tank (Airborne), M22, was an American-designed airborne light tank which was produced during World War II.The Locust began development in 1941 after the British War Office requested that the American government design a purpose-built airborne light tank which could be transported by glider into battle to support British airborne forces.
The most important American design of the war was the M4 Medium Tank, or "Sherman" in British service. The M4 Medium became the second-most-produced tank of World War II, and was the only tank to be used by virtually all Allied forces (thanks to the American lend-lease program); approximately 40,000 M4 Mediums were produced during the war. [30]
The Versuchskonstruktion 30 were two series of tank designs by Germany in World War II, originally intended as heavy 'breakthrough' tanks, but later switching completely to designate medium tanks to succeed the Panzer III, IV, and the planned VK 20 series tanks.
Nazi Germany developed numerous tank designs used in World War II.In addition to domestic designs, Germany also used various captured and foreign-built tanks. [1]German tanks were an important part of the Wehrmacht and played a fundamental role during the whole war, and especially in the blitzkrieg battle strategy.
Second, during World War II, many artists found themselves in the most difficult conditions (in an occupied country, in internment camps, in death camps) and their works are a testimony to a powerful "urge to create." Such creative impulse can be interpreted as the expression of self-preservation, a survival instinct in critical times.