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It is a genre of electronic literature, and also related to generative art. John Clark's Latin Verse Machine (1830–1843) is probably the first example of mechanised generative literature, [1] [2] while Christopher Strachey's love letter generator (1952) is the first digital example. [3]
Directrix is a spaceship in the Lensman series of novels by E. E. Smith. Directrix is the name of an alternative punk band in Chicago. Directrix - a feminine form of director in the context of grammatical gender
Although this appears to be the first work of computer-generated literature, the structure is similar to the nineteenth-century parlour game Consequences, and the early twentieth-century surrealist game exquisite corpse. The Mad Libs books were conceived around the same time as Strachey wrote the love letter generator. [3]
The 1952 love letter generator that the British computer scientist Christopher Strachey wrote for the Manchester Mark 1 computer is probably the first example of literature that requires a computer to be generated or read. [13] [14] [15] The work generates short love letters, and is an example of combinatory poetry, also called generative ...
Above: An image classifier, an example of a neural network trained with a discriminative objective. Below: A text-to-image model, an example of a network trained with a generative objective. Since its inception, the field of machine learning used both discriminative models and generative models, to model and predict data.
The Postmodernism Generator is a computer program that automatically produces "close imitations" of postmodernist writing. It was written in 1996 by Andrew C. Bulhak of Monash University using the Dada Engine, a system for generating random text from recursive grammars. [1] A free version is also hosted online.
Twitterature (a portmanteau of Twitter and literature) is a literary use of the microblogging service of X (formerly known as Twitter).It includes various genres, including aphorisms, poetry, and fiction (or some combination thereof) written by individuals or collaboratively.
In ergodic literature, nontrivial effort is required to allow the reader to traverse the text. If ergodic literature is to make sense as a concept, there must also be nonergodic literature, where the effort to traverse the text is trivial, with no extranoematic responsibilities placed on the reader except (for example) eye movement and the ...