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Modern Gothic exhibition cabinet (c. 1877–1880) is a piece of Modern Gothic furniture now in the collection of the Metropolitan Museum of Art. Although its design was once attributed to Philadelphia architect Frank Furness and furniture maker Daniel Pabst , MMA now credits its design and manufacture to Pabst alone.
The cabinet box will most often have a wood veneer to finish the interior. Cabinet door and drawer face material will depend on the manufacturer. Often a natural wood such as maple, oak, ash, birch, cherry, or alder will be used as a material that is intended to be finished with a stain or other transparent or semi-transparent finish.
Although marquetry is a technique separate from inlay, English marquetry-makers were called "inlayers" throughout the 18th century. In Paris, before 1789, makers of veneered or marquetry furniture (ébénistes) belonged to a separate guild from chair-makers and other furniture craftsmen working in solid wood (menuisiers).
During its peak years, the company produced nearly 700 cabinets per day, and was the largest manufacturer of kitchen cabinets in the United States. [42] Free–standing kitchen cabinets began declining in popularity by 1930, and Hoosier Manufacturing responded by making kitchen cabinets that were meant to be built-in to the home.
Furniture conservation and restoration can be divided into two general areas: structure and finish. Structure generally relates to wood and can be divided into solid, joined, and veneered wood. The finish of furniture can be painted or transparent. [1] Furniture has existed throughout all the years of human existence.
As opposed to ébéniste, the term menuisier denotes a woodcarver or chairmaker in French. The English equivalent for ébéniste, "ebonist", is not commonly used.Originally, an ébéniste was one who worked with ebony, a favoured luxury wood for mid-17th century Parisian cabinets, originating in imitation of elite furniture being made in Antwerp.
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