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The siku is an Andean pan flute This pan flute from the Solomon Islands is made from bamboo bound with reeds and rope. A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). [1]
The siku is originally from the Aymaras of Peru and Bolivia, where a woman would play her siku as she came down from the mountains.Since the largest siku has every note (A-G), and was too big for the woman, they often got two sikus (usually smaller ones) that would be played together with someone else, so they could play them continuously after each other and thus the scales could fully be played.
Zampogna (UK: / z æ m ˈ p ɒ n j ə /, [1] US: / z æ m ˈ p oʊ n j ə, (t) s ɑː m ˈ-/, [2] Italian: [dzamˈpoɲɲa]) is a generic term for a number of Italian double chantered bagpipes that can be found throughout areas in Abruzzo, Latium, Molise, Basilicata, Campania, Calabria, Apulia, Sicily, and as far north as the southern part of the Marche.
A pan flute, nineteenth century, MHNT. Traditional Melanesian music in Solomon Islands includes both group and solo vocals, slit-drum and panpipe ensembles. [1] Panpipe orchestras, which are well known on Malaita and Guadalcanal use up to ten performers with different instrument, each with unique tunings.
The Festive Tinku, a much more pleasant experience than a ceremonial tinku, has many differences. It has been accepted as a cultural dance in the whole nation of Bolivia. Tinku music has a loud constant drum beat to give it a native warlike feel, while charangos, guitars, and zampoñas (panpipes) play melodies. [4]
Its five CDs feature selections from Chaski's repertoire from Latin America and Spain on flute, panpipes (zampoñas or sikus), quena, harp, accordion, cuatro, guitar, charango, bombo, maracas, and other instruments.
[2] [3] Early musicians in the movement often used folk instruments such as the quena (Andean flute) or zampoñas (pan-pipes). [citation needed] This phase of the Chilean New Song has been referred to as the "discovery and protest" phase. [4]
The larchemi (Georgian: ლარჭემი), or soinari (Georgian: სოინარი), is an ancient Georgian musical instrument of the panpipe family. It is known as "larchemi" in Samegrelo and "soinari" in Guria, but there is no difference in the instrument; [1] those in Guria may be smaller.