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The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century [1] that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods.
"Medium-specificity is based on the distinct materiality of artistic media." As early as 1776 Gotthold Ephraim Lessing "contends that an artwork, in order to be successful, needs to adhere to the specific stylistic properties of its own medium." [4] Today, the term is used both to describe artistic practices and as a way to analyze artwork.
In the 18th century, small paintings of working people remained popular, mostly drawing on the Dutch tradition and featuring women. Much art depicting ordinary people, especially in the form of prints, was comic and moralistic, but the mere poverty of the subjects seems relatively rarely to have been part of the moral message. From the mid-19th ...
In 1934, a new doctrine called Socialist realism came about. This new movement rejected the "bourgeois influence on art" and replaced it with appreciation for figurative painting, photography and new typography layouts. Writers were explicitly enjoined to develop "heroization."
Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.
While the movement's characteristics vary from nation to nation, it almost always uses a form of descriptive or critical realism. [1] The term is sometimes more narrowly used for an art movement that flourished in the interwar period as a reaction to the hardships and problems suffered by common people after the Great Crash. In order to make ...
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
The Grupo Madí was one of two prominent groups of artists pursuing abstract art in Argentina. The other was Arte Concreto-Invencíon, or AACI, founded in 1945. [5] The Madí art movement formed as a reaction to the AACI, whose art was perceived by the Madí group as being too strict in their method of creating concrete art, resulting in a lack of expression in their artworks.