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Kyoto geisha Toshimana holding a Nōh mask, wearing full make-up and a katsura (wig). Oshiroi (白粉) is a powder foundation traditionally used by kabuki actors, geisha and their apprentices. The word is written with kanji meaning "white powder", and is pronounced as the word for white (shiroi) with the honorific prefix o-.
The word hannya (般若) is a Japanese phonetic transcription of the Sanskrit word prajñā (प्रज्ञा), meaning 'wisdom'. [6] There are several hypotheses as to why the mask used in Noh, which represents a vengeful spirit expressing female jealousy and resentment, was named hannya. [7]
The term "therian" refers to people who spiritually, physically, or psychologically identify as an animal. The species of animal a therian identifies as is called a theriotype. [ 13 ] While therians mainly attribute their experiences of therianthropy to either spirituality or psychology, the way in which they consider their therian identity is ...
Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), [1] [2] [3] are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan. These include the sōmen , menpō , hanbō or hanpō , and happuri .
In some parts of north eastern Japan, Hyottoko is regarded as the god of fire. There is a well known folk story in the form of music, izumoyasugibushi (出雲安来節) where a fisherman dances with a bamboo basket, having the same visual expression as the mask of Hyottoko. During this dance, a person puts five yen coins on their nose.
A Gyōdō mask from the Heian period at the Guimet Museum. Surviving masks include a pair of masks dating from 1086 and 1334 at Tōdai-ji (); [5] a set of ten masks dating from 1138 for use in the shōryō-e (聖霊会) ceremonies at Hōryū-ji (); [6] thirteen Heian-period masks from Mitsuki Hachimangū (御調八幡宮) (); [7] a Kamakura-period mask of Tamonten at the Tokyo National Museum ...
Japanese manga series “Tiger Mask” is being adapted into a live-action feature for the international market by Italy’s Fabula Pictures and Brandon Box and Japan’s Kodansha. The popular ...
The Book of Tea (茶の本, Cha no Hon) A Japanese Harmony of Art, Culture, and the Simple Life (1906) [1] by Okakura Kakuzō (1906) is a long essay linking the role of chadō (teaism) to the aesthetic and cultural aspects of Japanese life and protesting Western caricatures of "the East".