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Così fan tutte, ossia La scuola degli amanti [a] (Women are like that, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria.
"Rivolgete a lui lo sguardo", K. 584, is a concert aria by Wolfgang Amadeus Mozart for solo bass and orchestra conceived for the role of Guglielmo the opera Così fan tutte but replaced by "Non siate ritrosi". [1] It is considered one of the outstanding opera buffa arias for the bass voice. [2] [3] The text of this aria is by Lorenzo Da Ponte.
Giovanni Bertati is often given as the author of the opera's libretto, others credit Giuseppe Petrosellini; [4] however, neither is confirmed. [1]The aria is inserted at the end of act 1, scene 6, where Marchese Calandro wants to test his bride's Clorinda's fidelity – six and a half years later, in 1790, this was a central theme in Mozart's opera Così fan tutte.
Soprano Renée Fleming will make her directing debut in Mozart's “Così fan tutte” at the Aspen Festival with three performances from July 21-26. While Mozart and librettist Lorenzo Da Ponte ...
Davide penitente, K. 469 (also Davidde penitente), is a cantata by Wolfgang Amadeus Mozart, to texts by Saverio Mattei [].The cantata was commissioned by the Wiener Tonkünstler-Societät, and first performed on 13 March 1785 in the Vienna Burgtheater.
Johann Rudolf Zumsteeg (10 January 1760 – 27 January 1802) was a German composer and conductor from the Classical period.. Zumsteeg championed the operas of Mozart in Stuttgart, staging the first performances there of Die Zauberflöte, Don Giovanni, and Così fan tutte.
The opera was the first of three collaborations between Mozart and Da Ponte, followed by Don Giovanni and Così fan tutte. It was Mozart who originally selected Beaumarchais's play and brought it to Da Ponte, who turned it into a libretto in six weeks, rewriting it in poetic Italian and removing all of the original's political references.
He wrote piano excerpts from both operas, as well as from the opera Così fan tutte. In addition, he composed recitatives for an Italian version of The Magic Flute. In 1790, Kuchař left the church after being nominated as organist of the Strahov Monastery, in the Church of the Assumption of the Virgin Mary, on 1 September.