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Così fan tutte, ossia La scuola degli amanti [a] (Women are like that, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria.
Aria for bass and orchestra, intended for Così fan tutte, but discarded at the first performance: Lorenzo Da Ponte: December 1789 612 "Per questa bella mano" (Score/Crit. report) Aria for bass, contrabass obbligato, and orchestra: unknown: 8 March 1791 Anh. 245: 621a "Io ti lascio, oh cara, addio" (Score/Crit. report) Aria for bass and ...
"Rivolgete a lui lo sguardo", K. 584, is a concert aria by Wolfgang Amadeus Mozart for solo bass and orchestra conceived for the role of Guglielmo the opera Così fan tutte but replaced by "Non siate ritrosi". [1] It is considered one of the outstanding opera buffa arias for the bass voice. [2] [3] The text of this aria is by Lorenzo Da Ponte.
Soprano Renée Fleming will make her directing debut in Mozart's “Così fan tutte” at the Aspen Festival with three performances from July 21-26. ... Fleming was to have directed “Cosi ...
Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian Da Ponte: 3 soprano, 1 tenor, 1 baritone, 1 bass, chorus 26 January 1790 Burgtheater, Vienna K.588 Score Libretto: 1790 Der Stein der Weisen (The Philosopher's Stone) (Pasticcio composed with J. B. Henneberg, F. Gerl, B. Schack and E. Schikaneder ...
A musical phrase from the act 1 trio of The Marriage of Figaro (where Basilio sings Così fan tutte le belle) was later reused by Mozart in the overture to his opera Così fan tutte. [40] Mozart also quotes Figaro's aria "Non più andrai" in the second act of his opera Don Giovanni.
Giovanni Bertati is often given as the author of the opera's libretto, others credit Giuseppe Petrosellini; [4] however, neither is confirmed. [1]The aria is inserted at the end of act 1, scene 6, where Marchese Calandro wants to test his bride's Clorinda's fidelity – six and a half years later, in 1790, this was a central theme in Mozart's opera Così fan tutte.
Così fan tutte (1790). All created for the Court Opera in Vienna, they are in Italian, the language considered most suitable for opera at the time, and are Mozart’s most popular operas apart from Die Entführung aus dem Serail and The Magic Flute, composed on German libretti in the Singspiel genre.