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The Penguin Guide to Jazz awarded the album 4 stars, stating: "At the Lighthouse, which marked Vic Feldman's arrival in the group, is a near-classic, opening on the immortal version of 'Sack O' Woe' and steaming through a vintage Adderley set in front of a cheering and fingersnapping crowd".
Cannonball Takes Charge: Riverside 1959 1959-10-18, -20 The Cannonball Adderley Quintet in San Francisco: Riverside 1959 Live 1960-02-01 1960-03-29 Them Dirty Blues: Riverside 1960 1960-05-21 1960-06-05 Cannonball Adderley and the Poll-Winners – with Wes Montgomery: Riverside 1960 1960-10-16 The Cannonball Adderley Quintet at the Lighthouse ...
The AllMusic review by Al Campbell awarded the album 4 stars, stating: "Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions." [2] The Penguin Guide to Jazz awarded the album 3⅓ stars, noting: "Them Dirty Blues debuts Nat's 'Work Song' in the band's book, as well as Bobby Timmons's 'Dat Dere'."
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. [2] It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, [3] and was added to the Grammy Hall of Fame in 2021.
The Penguin Guide to Jazz awarded the album 3½ stars stating "The Poll Winners session was a typical all-star meeting of the day, and if it seemed artificial at the time, how good it is to be able to hear, nearly 50 years on, Adderley, Montgomery and Brown in the same band. If there's nothing which could be called surprising, the opportunity ...
Jazz Workshop Revisited is a live album by the jazz saxophonist Cannonball Adderley released on the Riverside label. Alongside Adderley, it features performances by Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. [4] It was recorded at the Jazz Workshop in San Francisco on September 22 & 23, 1962
A recent survey from the National Research Group found that U.S. consumers spend $135 per month, or nearly 18% of their budget, on subscriptions. Many of these subscriptions are for streaming ...
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood ...