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This file has an extracted image: I can't give you anything but love (1928) Sheet Music Cover.jpg. Licensing This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be ...
The music builds and builds to a gorgeous climax that will pull on your heartstrings whilst being encouraged by the faith that only the Holy Spirit can give." [8] Louder Than the Music's Jono Davies stated "[Oceans] has a stunning orchestral opening before out of nowhere a voice hits you. The voice is stunning, yet haunting, all in the same breath.
Like an ocean bird set free; Like the ocean bird, our home We'll find far out on the sea. (Chorus) A life on the ocean wave, A home on the rolling deep, Where the scattered waters rave, and the winds their revels keep, The winds, the winds, the winds their revels keep, (the winds, the winds, the winds their revels keep). The land is no longer ...
In the 1957 musical The Music Man – set in 1912 – a full-cast rendition of "Columbia, the Gem of the Ocean" is performed during the scene depicting the town's Independence Day celebration and, from the post-World War II era through to the 1960s, the first few chords of "Columbia, the Gem of the Ocean" were used as an interval signal during ...
A combination of sea level rise, ocean warming and ocean acidification threaten its unique ecosystem. Extreme wave or wind behavior disrupted the port complex of Santa Catarina 76 times in one 6-year period in the 2010s. There was a US$25,000–50,000 loss for each idle day.
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In 1873, with lyricist Samuel N. Mitchell, he published Put My Little Shoes Away, which has endured as a popular song among bluegrass performers. In 1881, under the duo of pseudonyms H.J. Fulmer and J.T. Wood, Pratt published the popular "Bring Back My Bonnie To Me" (aka My Bonnie Lies over the Ocean), which is said to be an adaptation of a traditional Scottish folk song.
"Ocean Avenue" received heavy radio airplay and was the band's biggest hit, peaking within the top 40 of the Billboard Hot 100. It received praise from music critics, many of whom have called it a classic of the coalescing pop-punk and emo genres.