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Light My Fire: My Life with the Doors. New York City: Berkley Boulevard Books. ISBN 0-425-17045-4. Shepherd, John (2003). Continuum Encyclopedia of Popular Music of the World: VolumeII: Performance and Production, Volume 11. Continuum. ISBN 978-0-8264-6322-7. Weidman, Rich (2011). The Doors FAQ: All That's Left to Know About the Kings of Acid Rock.
Live in Detroit is a double CD live album by the American rock band the Doors. It was recorded at the Cobo Arena in Detroit on May 8, 1970 during the band's 1970 Roadhouse Blues Tour. It was released on October 23, 2000 on Rhino Records. [2] [3] The concert is one of the longest live performances by the Doors.
All tracks are written by the Doors (John Densmore, Robby Krieger, Ray Manzarek, Jim Morrison), except where noted.Details are taken from the 2003 U.S. Elektra/Rhino CD with discographical annotation by Gary Peterson, [4] except running times, which are taken from the AllMusic review. [1]
Banging on the Doors of Love is the second studio album by Dutch singer-songwriter Sandra van Nieuwland. It was released in The Netherlands by 8ball Music on 22 November 2013. It was released in The Netherlands by 8ball Music on 22 November 2013.
Weird Scenes Inside the Gold Mine is the second compilation album by American rock band the Doors (following 13) and the first following the death of singer Jim Morrison.A double album, it was released in January 1972.
The Lost Paris Tapes is the title given to a recorded collection of unedited poems and songs by rock musician and poet Jim Morrison, lead singer of the Doors.Although Morrison intentionally made the recordings, they are considered bootlegs because they were never officially released to the public in their unedited form by Morrison or his heirs.
He posted the full-length video from his 1998 song “Victory” — in which he is seen running from Los Angeles police for nearly its entire seven minutes — along with the caption “Bad Boy ...
The song's promotional film received enthusiastic comments at the Fillmore East, and has been publicized ever since as one of the first music videos in rock history. [3] When playing the track in live concerts, the Doors usually approached a cinematic performance, with Morrison pretending to be shot by Robby Krieger onstage, illustrating the ...