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Louis de Pointe du Lac is a fictional character in Anne Rice's The Vampire Chronicles series. He begins his life as a mortal man and later becomes a vampire.He is the protagonist who tells his story in Interview with the Vampire (1976, the first book of The Vampire Chronicles).
Louis has a love for Claudia, while Lestat spoils and treats her more as a pupil, training her to become a merciless killer. Thirty years pass, and Claudia matures psychologically but remains a little girl in appearance and continues to be treated as such by Lestat.
Louis and Lestat reunite in the 1980s with a new understanding, only to be caught up and briefly separated again in the events that are detailed in The Queen of the Damned, though in later books Lestat refers to Louis as his lover. Lestat has a disdain for rules and order, and states, in The Queen of the Damned, that he has always had to be his ...
The Vampire Lestat. The beating heart of The Vampire Chronicles is Lestat de Lioncourt, Rice's beloved anti-hero. He takes center stage in The Vampire Lestat, which opens with an audacious frame ...
Gothic writer Anne Rice’s most famous novel, “Interview With the Vampire,” returns to the screen in a lavish AMC series starring Jacob Anderson and Sam Reid as
Interview With the Vampire‘s ensemble cast includes Jacob Anderson Game of Thrones) as Louis de P Interview With the Vampire Season 2 Video Reunites Louis and Lestat, Introduces New Actress ...
Lestat is a French nobleman born and made a vampire in the 1700s, and the primary antihero of Rice's Vampire Chronicles.He was introduced in Interview with the Vampire (1976), and has been portrayed by Tom Cruise in the 1994 film Interview with the Vampire; Stuart Townsend in the 2002 film Queen of the Damned; and by Sam Reid in the 2022 television series Interview with the Vampire.
Starring Jacob Anderson as Louis de Pointe du Lac and Sam Reid as Lestat de Lioncourt, it begins with the vampire Louis recounting his past and tumultuous relationship with the vampire Lestat. The series embraces the queer elements of Rice's work, which are only insinuated in the 1994 film adaptation , and deals with themes such as race and abuse.