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G-10 or garolite is a high-pressure fiberglass laminate, a type of composite material. [1] It is created by stacking multiple layers of glass cloth, soaked in epoxy resin, then compressing the resulting material under heat until the epoxy cures. [2] [3] It is manufactured in flat sheets, most often a few millimeters thick.
Portable, uses eight C cell batteries or AC adapter. SRD-7/Pro 1982-83 2x Pro Bias SRD-7SB/MK2 1985 1x Pro Bias, 1x Normal Bias SRD-X/Pro 1986 1x Pro Bias, 1x Normal Bias RCA input SRD-P 1986 2x Electret/Pro Bias Both RCA and 1/8"(3.5 mm) inputs. Portable, uses eight C cell batteries or AC adapter.
Also available is the Stereo Amp, which is essentially two Petimors in one case, angled at 25 degrees apart. After a variety of smaller-scale experiments, Specimen released the Horn Amp, a single-tube amplifier fitted with a 24 inch horn in order to produce stage-performance level volumes.
The "Tweed" 5F10 model, [2] launched in 1955, but not in time for the Fender catalog of that year, [3] was a 10-watt amplifier utilising a 6AV6 (from 1956 a 6AT6) preamplifier tube, 12AX7 phase inverter tube, [note 1] a pair of 6V6GT power amplifier tubes, and one 5Y3GT rectifier tube, [4] with a Jensen P10R 10-inch speaker. The amplifier had a ...
[4] Community established itself as the first company to utilize fiberglass to create large yet lightweight loudspeaker horns and enclosures. In 1970, it introduced its first notable live sound reinforcement loudspeaker product, the LMF, a fiberglass midrange horn. [5]
The Princeton was a small six watt amp with an 8" Jensen field-coil speaker. This amp had no controls as it was designed for the guitar to solely control the volume and was simply turned on by plugging/unplugging into the wall plug. The Deluxe was a larger amp with a Jensen 10” field-coil speaker and five tubes in a 14-watt design.
Adapters between this connector and RCA connectors have used white and red for left and right channel recording, and blue (or sometimes black) and yellow for playback, but this is not universal. Most modern equipment with RCA connectors for recording devices simply uses white and red for all stereo pairs, whether record or playback.
(1970 price $109.00) Two-piece spruce top, rosewood back and sides, mahogany neck, nineteen nickel silver frets, six color wood marquetry around soundhole, length 39 + 1 ⁄ 4 inches, width 14 + 1 ⁄ 2 inches, 36-inch scale [55]