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The Street (German: Die Straße) is a 1923 German silent drama film directed by Karl Grune and starring Anton Edthofer, Aud Egede-Nissen, and Leonhard Haskel. [ 2 ] The film's sets were designed by the art director Karl Görge .
Consequently, the German film industry cut back on production. 123 German movies were produced in 1955, only 65 in 1965. However, many German film companies followed the 1960s trends of international co-productions with Italy and Spain in such genres as spaghetti westerns and Eurospy films with films shot in those nations or in Yugoslavia that ...
Joyless Street (German: Die freudlose Gasse), also titled The Street of Sorrow or The Joyless Street, [3] is a 1925 German silent film directed by Georg Wilhelm Pabst starring Greta Garbo, Asta Nielsen and Werner Krauss. [4] It is based on a novel by Hugo Bettauer and widely considered an expression of New Objectivity in film. [5]
Berlin is the setting and filming location of numerous movies, and has been since the beginnings of the silent film era. Berlin is a major center in the European and German film industry. [1] It is home to more than 1000 film and television production companies and 270 movie theaters.
The viewer sees several children running around, and the protagonist ambling up the street. The viewer also sees German citizens working together to clean up, and getting on with their lives, despite the devastation. Critics have observed similarities between the rubble film aesthetic and Weimar era Expressionism, as well as Romanticism.
M is a 1931 German mystery thriller film directed by Fritz Lang and starring Peter Lorre as Hans Beckert, a serial killer who targets children, in his third screen role. Both Lang's first sound film and an early example of a procedural drama, [2] M centers on the efforts of both a city's police force and its criminal syndicates to apprehend a serial child-murderer.
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
Good Bye, Lenin! is a 2003 German tragicomedy film, directed by Wolfgang Becker.The cast includes Daniel Brühl, Katrin Sass, Chulpan Khamatova, and Maria Simon.The story follows a family in East Germany (GDR); the mother (Sass) is dedicated to the socialist cause and falls into a coma in October 1989, shortly before the Peaceful Revolution in November.