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The most prominent feature in musical Impressionism is the use of "color", or in musical terms, timbre, which can be achieved through orchestration, harmonic usage, texture, etc. [3] Other elements of musical Impressionism also involve new chord combinations, ambiguous tonality, extended harmonies, use of modes and exotic scales, parallel ...
Maurice Ravel's music, also often labelled as impressionist, explores music in many styles not always related to it (see the discussion on Neoclassicism, below). Arnold Schoenberg, Los Angeles, 1948 Many composers reacted to the Post-Romantic and Impressionist styles and moved in different directions.
This is a list of classical music composers by era. [1] [2] [3] [4] With the exception of the overview, the Modernist era has been combined with the Postmodern ...
Debussy c. 1900 by Atelier Nadar Achille Claude Debussy [n 1] was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the ...
Impressionism which began as a private association of Paris-based artists who exhibited publicly in 1874. The movement was named after Claude Monet's Impression, Sunrise (Impression, soleil levant) (1872/1873); the term being coined by critic Louis Leroy. Impressionism is also a movement in music and a literary tendency
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Impressionism in music This page was last edited on 6 August 2019, at 21:49 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4. ...
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.