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1837 dress. During the start of Queen Victoria's reign in 1837, the ideal shape of the Victorian woman was a long slim torso emphasised by wide hips. To achieve a low and slim waist, corsets were tightly laced and extended over the abdomen and down towards the hips. [4]
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Goldthorpe, Caroline: From Queen to Empress: Victorian Dress 1837–1877, Metropolitan Museum of Art, New York, 1988, ISBN 0-87099-535-9 (full text available online from the Metropolitan Museum of Art Digital Collections)
Artistic Dress was a fashion movement in the second half of the nineteenth century that rejected highly structured and heavily trimmed Victorian trends in favour of beautiful materials and simplicity of design. It arguably developed in Britain in the early 1850s, influenced by artistic circles such as the Pre-Raphaelites, and Dress Reform ...
Gingham dresses were standard attire for most female performers on the Grand Ole Opry until the 1960s, [14] such that the dress code was jocularly known as the "Gingham Curtain" until Jeannie Seely pushed for its abolition. [15] In Marty Robbins's Grammy-winning song "My Woman, My Woman, My Wife" (1970), he mentions his wife "in a dress made of ...
Victorian women's clothing followed trends that emphasised elaborate dresses, skirts with wide volume created by the use of layered material such as crinolines, hoop skirt frames, and heavy fabrics. Because of the impracticality and health impact of the era's fashions, a dress reform movement began among women.
The dresses had a fitted bodice and it gave a high-waist appearance. The style had waxed and waned in fashion for hundreds of years. The shape of the dresses also helped to lengthen the body's appearance. The clothing can also be draped to maximize the bust. Lightweight fabrics were typically used to create a flowing effect.