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A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic.. All of Benton's typefaces were cut by American Type Founders.. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton.
It later made its way into the titles of albums, such as Groovy Decay, a 1982 album by Robyn Hitchcock, and Groovy, Laidback and Nasty, a 1990 album by Cabaret Voltaire. Examples of band names include Groovy Aardvark from Canada, The Groovy Little Numbers from Scotland, and Groovy Rednecks and the Flamin' Groovies from the US. There was also a ...
Download QR code; In other projects ... GNU Free Documentation License, version 1.2 or later ... 1=Logo of the Groovy project}} ...
Core fonts for the Web was a project started by Microsoft in 1996 to create a standard pack of fonts for the World Wide Web.It included the proprietary fonts Andalé Mono, Arial, Arial Black, Comic Sans MS, Courier New, Georgia, Impact, Times New Roman, Trebuchet MS, Verdana and Webdings, all of them in TrueType font format packaged in executable files (".exe") for Microsoft Windows and in ...
RetroArch is a free and open-source, cross-platform frontend for emulators, game engines, video games, media players and other applications. It is the reference implementation of the libretro API, [2] [3] designed to be fast, lightweight, portable and without dependencies. [4]
Fush Yu Mang is the debut studio album by American rock band Smash Mouth, released on July 8, 1997 by Interscope Records. [3] It includes their first major hit, "Walkin' on the Sun".
"Set Me Free" is a disco track that takes a retro-futuristic approach, characterized by groovy, synth, bass line, "simple yet powerful sound", and liberating lyrics. [2] [6] [8] The lyrics revolve around the protagonists finding the courage to confess their love to a crush, with lines such as "I've been hiding how I feel for you forever" and "Now that it's off my chest there's room for you and ...
Signs using Johnston, in the London Transport Museum Acton archive. Johnston had become interested in sans-serif letters some years before the commission: although best known as a calligrapher, he had written and worked also on custom lettering, and in his 1906 textbook Writing and Illuminating and Lettering had noted "It is quite possible to make a beautiful and characteristic alphabet of ...