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Koplo or dangdut koplo is a subgenre of dangdut, Indonesian popular dance & folk music, that originated in East Java during the early 2000s. The genre gets its name from the slang term " koplo " which refers to a hallucinogenic drug that is sold cheaply in Indonesia.
Dangdut, as a term, branched from a collective sound tradition of the Orkes Melayu ("Malay orchestra") brought by bangsawan performers of Riau to Medan, Jakarta and Surabaya from the 1930s; its genesis can be pointed to heavy incorporation of music from Bollywood films among orkes bands in Jakarta in the 1950s – the films had huge the ...
A. Rafiq — Dangdut male singer; Acha Septriasa — Pop female singer and actress; ADA Band — Pop rock/alternative rock band; Addie MS — Music composer, producer and conductor; Afgan — Pop/R&B/soul male singer and actor; Agnez Mo — Indonesian-American pop/R&B/soul singer/songwriter, dancer and actress; Ahmad Albar — Rock musician and ...
Dangdut is a popular semitraditional music genre of Indonesia which is partly derived of Indian, Arabic, and Malay music in the late 1960s in Jakarta city. It consists of melodious and harmonical music with the main tabla as the percussion beat especially in the classical dangdut versions.
This is a list of ambient music artists. This includes artists who have either been very important to the genre or have had a considerable amount of exposure (such as those who have been on a major label). This list does not include little-known local artists.
Dream pop band Slowdive's 1995 album Pygmalion was a major departure from the band's usual sound, heavily incorporating elements of ambient electronica and psychedelia with hypnotic, repetitive rhythms, [83] influencing many ambient pop bands and subsequently being regarded as a landmark album in the genre; [84] Pitchfork critic Nitsuh Abebe ...
Funkot music is a mix of Funky House [12] [b] and Dangdut music with a tempo of around 160 to 220 bpm. Funkot music usually includes percussion sounds such as cowbells, woodblocks, fast triple bass kicks, vocal samples (namely "ay!", "are you ready?", and "one, two, three, four" samples), the extensive use of Amen breaks, and high-pitched synths.
Ambient 4: On Land is the eighth solo studio album by Brian Eno, released in March 1982 by EG Records. It was the final edition in Eno's Ambient series, which began in 1978 with Ambient 1: Music for Airports. The album was released to critical acclaim, and is recognised along with its predecessors as a landmark album in the history of the ...