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The Concierto de Aranjuez ([konˈθjeɾ.to ðe a.ɾaŋˈxweθ], "Aranjuez Concerto") is a concerto for classical guitar by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century.
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He recorded the Rolling Stones' "Ruby Tuesday" as "Fille sauvage" in 1966, and his song "Aranjuez mon amour", based on Joaquín Rodrigo's Concierto de Aranjuez, became one of his biggest international hits in 1967. He remained popular in France, having one of his biggest hits in 1974 with "Amoureux de ma femme", which was a cover version of an ...
Concierto de Aranjuez may also refer to: Concierto de Aranjuez, an album by the German band Cusco; Concierto de Aranjuez (Paco de Lucía album) Concerto d'Aranjuez / Sounds of Spain, a 1967 album released by the Paris-based Swingle Singers (released as Spanish Masters in the U.S.) Concierto de Aranjuez, a 1984 album by Dorothy Ashby
Renata Tarragó Fábregas (23 October 1927 – 2 August 2005), a Catalan guitarist and vihuelist, was a teacher and performer, both as a solo artist and an accompanist.She was the first female guitarist to record Joaquín Rodrigo's Concierto de Aranjuez, and was the editor of the first published edition of the Concierto de Aranjuez score.
Sketches of Spain is a studio album by the jazz trumpeter and composer Miles Davis.It was released on 18 July 1960 through Columbia Records.The recording took place between November 1959 and March 1960 at the Columbia 30th Street Studio in New York City.
Rey de la Torre gave the US première of Concierto de Aranjuez by Joaquín Rodrigo on November 19, 1959, with the Cleveland Orchestra under the baton of Robert Shaw. He also premièred the Introduction to the Chôros by Heitor Villa-Lobos in New York, in August 1962, and Three Pieces for Guitar by Carlos Chávez in New York on November 14, 1969 ...
During this time he was largely responsible for the growing popularity of the Concierto de Aranjuez, and made two early recordings, both with Argenta [6] – one in mono with the Madrid Chamber Orchestra (released between 1953 and 1955), [7] and the second in stereo with the Orquesta Nacional de España (recorded in 1957 and released in 1959).