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This verse is the origin of the term potter's field for a burying place for the unknown and indigent. That it is a field owned by a potter is directly linked to the quote from Zechariah that appears at 27:9 and 27:10 , and is likely the result of a confused translation of the source, which more logically refers to a foundry for making coins.
Matthew 27:8 is the eighth verse of the twenty-seventh chapter of the Gospel of Matthew in the New Testament.This verse continues the final story of Judas Iscariot.In the previous verses, Judas has killed himself, but not before casting the thirty pieces of silver into the Temple.
Orpheus was one of the handful of Greek heroes [25] to visit the underworld and return; his music and song had power even over Hades. The earliest known reference to this descent to the underworld is the painting by Polygnotus (5th century BC) described by Pausanias (2nd century AD), where no mention is made of Eurydice.
Peter's vision of a sheet with animals, the vision painted by Domenico Fetti (1619) Illustration from Treasures of the Bible by Henry Davenport Northrop, 1894. According to the Acts of the Apostles, chapter 10, Saint Peter had a vision of a vessel (Greek: σκεῦος, skeuos; "a certain vessel descending upon him, as it had been a great sheet knit at the four corners") full of animals being ...
Matthew 27:5 is the fifth verse of the twenty-seventh chapter of the Gospel of Matthew in the New Testament.This verse continues the final story of Judas Iscariot.In the earlier verse Judas had regretted his decision to betray Jesus, but is met with disinterest from the Jewish leaders.
But no one can enter a strong man’s house and plunder his property without first tying up the strong man; then indeed the house can be plundered." That and Matthew 16:18 ("And I tell you, you are Peter, and on this rock I will build my church, and the gates of Hades will not prevail against it.") speak to Jesus's power and the impotence of Satan.
Orpheus Searching Eurydice in the Underworld, a painting by the Antwerp school; The Kiss, a painting by Gustave Klimt (1907) (Not explicitly Orpheus and Eurydice, but one interpretation of The Kiss is that it depicts their story) [citation needed] Portrait of Cosimo I de' Medici as Orpheus, a painting by Agnolo Bronzino (c. 1537-1539)
Orpheus mosaics are found throughout the Roman Empire, normally in large Roman villas. The scene normally shown is Orpheus playing his lyre, and attracting birds and animals of many species to gather around him. Orpheus was a popular subject in classical art, and was also used in Early Christian art as a symbol for Christ. [2]