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The 1 Up Fever (2013), mockumentary about Bitcoin and augmented reality video games.; 2gether (2000), spoof of boy bands like N*Sync and The Backstreet Boys.; 7 Days in Hell (2015), a fictional documentary-style exposé on the rivalry between two of the greatest tennis players of all time who battled it out in a 2001 match that lasted seven days.
A pseudo-documentary or fake documentary is a film or video production that takes the form or style of a documentary film but does not portray real events. Rather, scripted and fictional elements are used to tell the story. The pseudo-documentary, unlike the related mockumentary, is not always intended as satire or humor. It may use documentary ...
GBTimes writes that with having seen his own "film hundreds of times in different movie theaters, sometimes with ten people, other times with 500 people in the audience," [31] Till Nowak loves to watch audience reactions as they watch the film, and is bemused that "some people have perceived it as a real documentary of real amusement parks."
A certain style of music video makes extensive use of found footage, mostly found on TV, like news, documentaries, old (and odd) films etc. The forefather of found footage music videos was artist Bruce Conner who screened Cosmic Ray in 1961. [3] Prominent examples are videos of bands such as Public Enemy and Coldcut. The latter also project ...
We Live in Public was screened six times at the 2009 Sundance Film Festival before being awarded the Grand Jury Prize in the U.S. documentary category. [7] Timoner is the first director in the Sundance Film Festival's history to twice win the Grand Jury Prize for Documentary, having won in 2004 with Dig!.
The film was first aired on Television New Zealand's channel TV ONE at a time usually dedicated to plays and mini-series, but was billed and introduced as a serious documentary. Many viewers were fooled until the directors shortly afterwards revealed that it was a hoax. This created controversy. [2] [3] The film was later screened at film ...
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There Are No Fakes is a Canadian documentary film, directed by Jamie Kastner and released in 2019. [1] Starting with musician Kevin Hearn's lawsuit against the Maslak McLeod Gallery after being informed that a Norval Morrisseau painting he had purchased appeared to be a forgery, [2] the film expands into an exposé of a significant art fraud ring that has produced many fake Morrisseau ...