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The Turn of the Play: The action of one or more of the characters which sets the course of events moving towards the crisis or climax. The Steps of Action, leading to climax (sometimes called Rising Action): A. B. C. etc. The Decisive Point of Action. Something takes place which makes it impossible for the "rising action" to go further.
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...
Act One: Exposition and inciting incident; Act Two: First major turning point and progressive complications; Act Three: Rising action and climax; Act Four: Falling action; Act Five: Resolution (For tragedies, a catastrophe is added before it.) A similar five-part structure is also used in traditional Japanese Noh drama, particularly by Zeami ...
Exposition (originally called introduction) Rising action (rise) Climax; Falling action (return or fall) Catastrophe, denouement, resolution, or revelation [24] or "rising and sinking". Freytag is indifferent as to which of the contending parties justice favors; in both groups, good and evil, power and weakness, are mingled. [25]
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
Narrative exposition, now often simply exposition, is the insertion of background information within a story or narrative. This information can be about the setting , characters' backstories , prior plot events, historical context, etc. [ 1 ] In literature, exposition appears in the form of expository writing embedded within the narrative.
He listed five modes—action, summary, dialogue, feelings/thoughts, and background—each with its own set of conventions regarding how, when, and where it should be used. [ 5 ] Jessica Page Morrell, in Between the Lines: Master the Subtle Elements of Fiction Writing (2006), mentioned six delivery modes : action, exposition, description ...
Peter Selgin refers to methods, including action, dialogue, thoughts, summary, scene, and description. While dialogue is the element that brings a story and its characters to life on the page, and narrative gives the story its depth and substance, action creates the movement within a story. Writing a story means weaving all of the elements of ...