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Chinese jade refers to the jade mined or carved in China from the Neolithic onward. It is the primary hardstone of Chinese sculpture . Although deep and bright green jadeite is better known in Europe, for most of China's history, jade has come in a variety of colors and white "mutton-fat" nephrite was the most highly praised and prized.
Yupei (Chinese: 玉佩; pinyin: Yùpèi) is a generic term for jade pendants. [1] Yupei were popular even before Confucius was born. [2]: 18 Jade culture is an important component of Chinese culture, [1] reflecting both the material and spiritual culture.
There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2]
Jade culture is an important aspect of Chinese culture, [3] reflecting both the material and spiritual culture of the Chinese people. [4]: 18 Jade is deeply ingrained in Chinese culture and played a role in every aspect of social life; [4]: 18 it is also associated with positive qualities and aspects such as purity, excellence, and harmony.
Royal Jade cong - probably the most famous artifact of Liangzhu culture. Zhejiang Provincial Museum Jade bi from the Liangzhu culture. The ritual object is a symbol of wealth and military power. Jade bi from the Liangzhu culture. The jade from this culture is characterized by finely worked large ritual jades, commonly incised with the taotie motif.
A bi is a flat jade disc with a circular hole in the centre. Neolithic bi are undecorated, while those of later periods of China, like the Zhou dynasty, bear increasingly ornate surface carving (particularly in a hexagonal pattern) whose motifs represented deities associated with the sky (four directions) as well as standing for qualities and powers the wearer wanted to invoke or embody.
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Han dynasty Chinese talisman, part of the Wucheng Bamboo-slips []. Scholarly research into the history of Taoist symbolism has always been a particular challenge, because historically, Taoist priests have often used abstruse, obscure imagery writing to express their thoughts, meaning that a path to their successful decipherment and interpretation isn't always readily found in primary sources. [9]