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Finding Nemo [a] is a CGI animated film series and Disney media franchise that began with the 2003 film of the same name, produced by Pixar and released by Walt Disney Pictures. The original film was followed by a standalone sequel, Finding Dory, released in 2016. Both films were directed by Andrew Stanton. The film series received widespread ...
Finding Nemo is a 2003 American animated comedy-drama adventure film [2] produced by Pixar Animation Studios for Walt Disney Pictures.The film was directed by Andrew Stanton, co-directed by Lee Unkrich, and produced by Graham Walters, from a screenplay written by Stanton, Bob Peterson, and David Reynolds, based on a story by Stanton.
Nemo and Marlin get the fish to break free from the net and rescue Dory by swimming down. Nemo was injured after the net fell down but gets back up after Marlin tells him about his and Dory's adventure. Dory is eventually guided to Marlin and Nemo's reef by Bruce and his shark club, to which she agreed to be a part of.
Print/export Download as PDF; Printable version; ... Pages in category "Finding Nemo" The following 17 pages are in this category, out of 17 total.
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Andrew Ayers Stanton (born December 3, 1965) is an American filmmaker and voice actor based at Pixar, which he joined in 1990. [2] His film work includes co-writing and co-directing Pixar's A Bug's Life (1998), directing Finding Nemo (2003) [3] and its sequel Finding Dory (2016), WALL-E (2008), and the live-action film, Disney's John Carter (2012), and co-writing all five and directing the ...
Inspired by The Cannonball Run, Jackie Chan also put a collection of bloopers from the movie in the end credits. 1986 Aces Go Places IV: A collection of bloopers and behind-the-scenes footage is shown throughout the end credits. Aliens: The sounds of a facehugger's movements are heard. Chopping Mall
The host and moderator gives a brief introduction to the show, and then Crush swims down to appear in the window. Crush looks and sounds much as he does in Finding Nemo, complete with animated facial expressions and subtle gestures. With the help of the moderator, Crush selects children and adults from the audience and engages them individually ...