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Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Besides the dominant seventh chords discussed above, other seventh chords—especially minor seventh chords and major seventh chords—are used in guitar music. Minor seventh chords have the following fingerings in standard tuning: Dm7: [XX0211] Em7: [020000] Am7: [X02010] Bm7: [X20202] F ♯ m7: [202220] or ([XX2222] Also an A/F ♯ Chord)
To play an F ♯ chord the guitarist may barre strings so that the chord root is F ♯. Most barre chords are "moveable" chords, [1] as the player can move the whole chord shape up and down the neck. [2] Commonly used in both popular and classical music, barre chords are frequently used in combination with "open" chords, where the guitar's open ...
Bebop – a fast-paced style of jazz popular in the 1940s and 1950s that replaced the dance-oriented swing music; known for its complex chord progressions, instrumental virtuosity, and the predominant role of the rhythm section. Beguine/Biguine – a style from French territory in the Caribbean, Martinique island and precursor of jazz.
A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...
In guitar music, like rock, a "5" indicates a power chord, which consists of only the root and fifth, possibly with the root doubled an octave higher. 6 indicates a sixth chord. There are no rules if the 6 replaces the 5th or not. 7 indicates a dominant seventh chord. However, if Maj7, M7 or Δ 7 is indicated, this is a major 7th chord (e.g., G ...
D/F ♯ is a D chord with F ♯ in the bass, and; A/C ♯ is an A chord with C ♯ in the bass. Slash chords generally do not indicate a simple inversion (which is usually left to the chord player's discretion anyway), especially considering that the specified bass note may not be part of the chord to play on top.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...