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The earliest Japanese romanization system was based on Portuguese orthography.It was developed c. 1548 by a Japanese Catholic named Anjirō. [2] [citation needed] Jesuit priests used the system in a series of printed Catholic books so that missionaries could preach and teach their converts without learning to read Japanese orthography.
Nihon-shiki (Japanese: 日本式ローマ字, lit. 'Japan-style', romanized as Nihonsiki in the system itself) is a romanization system for transliterating the Japanese language into the Latin alphabet. Among the major romanization systems for Japanese, it is the most regular one and has an almost one-to-one relation to the kana writing system.
For example, 東京 (とうきょう) is properly romanized as Tōkyō, but can also be written as: Tokyo – not indicated at all. Common for Japanese words that have been adopted into English, and the de facto convention for Hepburn used in signs and other English-language information around Japan.
Kunrei-shiki romanization (Japanese: 訓令式ローマ字, Hepburn: Kunrei-shiki rōmaji), also known as the Monbusho system (named after the endonym for the Ministry of Education, Culture, Sports, Science and Technology) or MEXT system, [1] is the Cabinet-ordered romanization system for transcribing the Japanese language into the Latin alphabet.
As an example, consider the Japanese martial art 柔術: the Nihon-shiki romanization zyûzyutu may allow someone who knows Japanese to reconstruct the kana syllables じゅうじゅつ, but most native English speakers, or rather readers, would find it easier to guess the pronunciation from the Hepburn version, jūjutsu.
Tsu (hiragana: つ, katakana: ツ) is one of the Japanese kana, each of which represents one mora. Both are phonemically /tɯ/ , reflected in the Nihon-shiki and Kunrei-shiki Romanization tu , although for phonological reasons , the actual pronunciation is [t͡sɯᵝ] ⓘ , reflected in the Hepburn romanization tsu .
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