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Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
Download as PDF; Printable version; ... Paintings by Raphael (1483−1520) — the renowned Italian Renaissance painter. Subcategories.
The Madonna del cardellino or Madonna of the Goldfinch is an oil on wood painting by the Italian Renaissance artist Raphael, from c. 1505–1506. A 10-year restoration process was completed in 2008, after which the painting was returned to its home at the Uffizi in Florence. [1] During the restoration, an antique copy replaced the painting in ...
Mannerism, beginning at the time of his death, and later the Baroque, took art "in a direction totally opposed" to Raphael's qualities; [96] "with Raphael's death, classic art—the High Renaissance—subsided", as Walter Friedländer put it. [97] He was soon seen as the ideal model by those disliking the excesses of Mannerism:
The School of Athens (Italian: Scuola di Atene) is a fresco by the Italian Renaissance artist Raphael.It was painted between 1509 and 1511 as part of a commission by Pope Julius II to decorate the rooms now called the Stanze di Raffaello in the Apostolic Palace in Vatican City.
The Prophet Isaiah is a fresco located in Basilica di Sant'Agostino, an early Renaissance church in Rome. It is an Italian Renaissance painting, influenced by Michelangelo's work on the Sistine Chapel ceiling. Isaiah, a powerful figure, gives the illusion of a three-dimensional character, flanked by putti figures.
In the background there is a view of the Vatican, specifically showing the Cortile di San Damasco, where Raphael had painted his famous frescos, and which places the artist in the heart of Rome. [13] In the scene, another one of his paintings, Madonna della seggiola appears in the background. [9]
This painting is considered one of the most famous Madonna portraits of Italian Renaissance painter, Raphael. Many art historians believe that this painting is the peak of Raphael's achievements and one of his strongest pieces from his Florentine phase. [3] Raphael began to paint La Belle Jardinière after finishing Madonna of the Goldfinch.