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The Canadian Group of Painters succeeded the disbanded Group of Seven, whose modernist paintings of the Canadian north land had been a strong influence on Canadian art. [2] In the early 1930s, the Group of Seven's prominence had caused controversy as many believed that the National Gallery of Canada exhibited favouritism for their work [ 3 ...
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Petley-Jones became a member of the Edmonton Art Club in 1927, and in 1931 he was one of the early generation of artists who joined the Alberta Society of Artists. [7] The same year, at the age of 23, his paintings were accepted by jury for the National Gallery of Canada annual show.
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The Group of Seven invited him to join their group in 1932, after the death of J. E. H. MacDonald. He was chosen unanimously, but only exhibited as a member once before they disbanded and reformed as the Canadian Group of Painters, of which he was a founding member. [1] His most significant work, Doc Snyder's House, was completed in 1931 ...
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In 1933, members of the Group of Seven decided to enlarge the group and formed the Canadian Group of Painters, made up of 28 artists from across the country. [50] Today, particularly with the work of Tom Thomson, the Group of Seven and Emily Carr, Canadian art is reaching new highs in the Canadian auction market. [51]