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The song was also performed at the free concert in Hyde Park, London, on July 5, 1969, released on the DVD The Stones in the Park in 2006. In 2007, a remixed version of the original recording was used in a television commercial for the Chase Freedom credit card and in 2008 it was used in a UK commercial for a Renault SUV.
Pete Townshend has claimed that the song was partly inspired by the song "Street Fighting Man" by the Rolling Stones.'I'm Free' came from 'Street Fighting Man.' This has a weird time/shape and when I finally discovered how it went, I thought 'well blimey, it can't be that simple,' but it was and it was a gas and I wanted to do it myself.
I'm Free, an album by Ray Parker Jr "I'm Free" (Rolling Stones song), 1965, covered in 1989 by the Soup Dragons "I'm Free" (The Who song), 1969 "I'm Free" (Paris Hilton and Rina Sawayama song), 2024 "I'm Free", a song by Donna Summer from Cats Without Claws "I'm Free", a song by Jon Secada from Jon Secada
"Free" is a song by American singer Deniece Williams that was included on her album This Is Niecy. The song was written by Williams, Hank Redd, Nathan Watts and Susaye Greene and produced by Maurice White and Charles Stepney .
"I'm Free" is a song by American singer Paris Hilton featuring Japanese singer Rina Sawayama. [ 1 ] [ 2 ] The nu-disco , french house and techno-pop song was released on June 21, 2024 through 11:11 Media as the lead single from Hilton's second studio album Infinite Icon .
"I'm Free (Heaven Helps the Man)" is a song recorded by American recording artist Kenny Loggins, composed by Loggins and Dean Pitchford, and produced by Loggins and David Foster. It was released in June 1984 as the second of two singles by Loggins from the film, Footloose that are included on the film's soundtrack .
Both Melody Maker and NME named "Whatever" Single of the Week. Melody Maker editor Everett True said the song "is absolutely f***ing stunning — from the strummed acoustic and Rolling Stones-esque sentiments (I'm free to be whatever I...whatever I choose), the f***-off strings and inch-perfect handclaps, right through to the final applause."
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.