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The Canadian Group of Painters succeeded the disbanded Group of Seven, whose modernist paintings of the Canadian north land had been a strong influence on Canadian art. [2] In the early 1930s, the Group of Seven's prominence had caused controversy as many believed that the National Gallery of Canada exhibited favouritism for their work [ 3 ...
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The Beaver Hall Group refers to a Montreal-based group of Canadian painters who met in the late 1910s while studying art at a school run by the Art Association of Montreal. [1] The Group is notable for its equal inclusion of men and women artists, as well as for its embrace of Jazz Age modernism.
In 1933, members of the Group of Seven decided to enlarge the group and formed the Canadian Group of Painters, made up of 28 artists from across the country. [50] Today, particularly with the work of Tom Thomson, the Group of Seven and Emily Carr, Canadian art is reaching new highs in the Canadian auction market. [51]
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The Eastern Group of Painters was a group of Canadian artists formed in 1938 in Montreal, Quebec for exhibition purposes [1] and showing together as a group till 1950. It included Montreal artists whose common interest was painting and an art for art's sake aesthetic, not the espousal of a nationalist theory as was the case with the Group of Seven or the Canadian Group of Painters.