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File:A Night at the Ritz poster.jpg; File:A Notorious Affair 1930 Poster.jpg; File:A Notorious Gentleman poster.jpg; File:A Parisian Romance (film).jpg; File:A Passport to Hell poster.jpg; File:A Private Scandal (1931 film).jpg; File:A Scarlet Week-End.jpg; File:A Slight Case of Murder movie poster.jpg; File:A Soldier's Plaything 1930 Poster.jpg
Contact us; Contribute Help; ... This category is only for promotional posters for American films. ... 1930s American film posters (3,557 F)
In May 1948, eccentric aviation tycoon and occasional movie producer Howard Hughes spent $8.8 million to gain control of the company, beating out British film magnate J. Arthur Rank for Odlum's stake. [162] During Hughes's tenure, RKO suffered its worst years since the early 1930s, as his capricious management style took a heavy toll.
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
This is a list of films produced or distributed by Universal Pictures in 1930–1939, founded in 1912 as the Universal Film Manufacturing Company. It is the main motion picture production and distribution arm of Universal Studios , a subsidiary of the NBCUniversal division of Comcast .
Evenings for Sale is a 1932 American pre-Code comedy film directed by Stuart Walker and written by S.K. Lauren, Agnes Brand Leahy and I. A. R. Wylie. The film stars Herbert Marshall, Sari Maritza, Charlie Ruggles, Mary Boland, George Barbier and Bert Roach. The film was released on November 12, 1932, by Paramount Pictures. [1] [2]
The 1930s saw the rise of some of the best known performers in acting and film history. The aforementioned Dracula and Frankenstein films both launched the careers of Bela Lugosi and Boris Karloff, respectively; the two men would spend much of the decade starring in Universal Horror films.
This type of seat became standard in almost all US movie theaters. [8] Several movie studios achieved vertical integration by acquiring and constructing theater chains. The so-called "Big Five" theater chains of the 1920s and 1930s were all owned by studios: Paramount, Warner, Loews (which owned Metro-Goldwyn-Mayer), Fox, and RKO.