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Reverse: Youthful Dionysus with two dancing maenads and three satyrs watching from a higher level. Its catalogue listing reads, Bell crater, British Museum B.M. number 1890,0210.1, from St. Agata dei Goti. RVP no 2/239 plate 88. A neck amphora decorated with the birth of Helen from Leda's egg that bears Python's signature in the altar base.
Dionysos with maenads and satyrs. Munich, Staatliche Antikensammlungen 2344 The Kleophrades Painter is the name given to the anonymous red-figure Athenian vase painter, who was active from approximately 510–470 BC and whose work, considered amongst the finest of the red-figure style, is identified by its stylistic traits.
The Dionysus Cup is the modern name for one of the best known works of ancient Greek vase painting, a kylix (drinking cup) dating to 540–530 BC. It is one of the masterpieces of the Attic black-figure potter Exekias and one of the most significant works in the Staatliche Antikensammlungen in Munich .
The Kleophon Painter is the name given to an anonymous Athenian vase painter [1] in the red-figure style who flourished in the mid-to-late 5th century BC. He is thus named because one of the works attributed to him bears an inscription in praise of a youth named "Kleophon".
The kantharos seems to be an attribute of Dionysus, the god of wine, who was associated with vegetation and fertility. [ 2 ] As well as a banqueting cup, they could be used in pagan rituals as a symbol of rebirth or resurrection , the immortality offered by wine, "removing in moments of ecstasy the burden of self-consciousness and elevating man ...
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
Birth of Dionysus, on a small sarcophagus that may have been made for a child (Walters Art Museum) [220] The education of Dionysus. Fresco, now in the Museo Nazionale Romano , Rome, c. 20 AD Various different accounts and traditions existed in the ancient world regarding the parentage, birth, and life of Dionysus on earth, complicated by his ...
The coincidence of invoking Iacchus, seen as Dionysus as a child, by torchlight and commemorating the myth of the god's death and rebirth. This happened both in Delphi and in Athens in the Lenaia, in the same season, winter. It further supports the idea that Attic Lenaia had a specific ritual involving women, the followers of the god.